Today is
Monday March 31, 2025
Jennie Garth says she still feels deeply connected to her late Beverly Hills, 90210 costars Luke Perry and Shannen Doherty, even after their deaths.
During her recent appearance on the Two Jersey Js podcast, Garth opened up about her close friendships with her castmates, some of whom she will reunite with at this year's 90s Con in Connecticut.
Host Jennifer Fessler expressed condolences, saying, "We should also tell you how sorry we are that you've lost two of your castmates," adding that the "whole world" mourned their death.
Doherty died in July 2024 at age 53 after a long battle with cancer, while Perry died in 2019 at age 52 following a massive stroke.
Reflecting on their loss, Garth said, "It doesn't make sense. It still doesn't make sense to my brain."
She continued, "I live in a world where they still are alive in my mind, so it's very hard to understand that they're not here physically."
In addition to Perry and Doherty, Garth shares a lasting bond with longtime 90210 co-star Tori Spelling.
Last year, she celebrated Spelling's 50th birthday with an Instagram tribute, sharing throwback photos from their days on the iconic teen drama, which ran from 1990 to 2000.
"Tori& Jennie or is it Donna& Kelly?" she wrote in the caption of the post at the time, referencing their characters. "It's both forever and always!"
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NEW YORK (AP) — Jerry Butler, a premier soul singer of the 1960s and after whose rich, intimate baritone graced such hits as “For Your Precious Love,” “Only the Strong Survive” and “Make It Easy On Yourself,” has died at age 85.
Butler’s niece, Yolanda Goff, told The Associated Press that Butler died Thursday of Parkinson’s disease at his home in Chicago. A longtime Chicago resident, Butler was a former Cook County board commissioner who would still perform on weekends and identify himself as Jerry “Ice Man” Butler, a show business nickname given for his understated style.
Butler, a member of the Rock and Roll Hall of Fame and a three-time Grammy Award nominee, was a voice for two major soul music hubs: Chicago and Philadelphia. Along with childhood friend Curtis Mayfield, he helped found the Chicago-based Impressions and sang lead on the breakthrough hit “For Your Precious Love,” a deeply emotional, gospel-influenced ballad that made Butler a star before the age of 20. A decade later, in the late ‘60s, he joined the Philadelphia-based production team of Kenneth Gamble and Leon Huff, who worked with him on “Only the Strong Survive,” “Hey Western Union Man” and other hits. His albums “Ice on Ice” and “The Ice Man Cometh” are regarded as early models for the danceable, string-powered productions that became the classic “Sound of Philadelphia.”
Butler also was an inspired songwriter who collaborated with Otis Redding on “I’ve Been Loving You Too Long,” a signature ballad for Redding; and with Gamble and Huff on “Only the Strong Survive,” later covered by Elvis Presley among others. His other credits included “For Your Precious Love,” “Never Give You Up” (with Gamble and Huff) and “He Will Break Your Heart,” which Butler helped write after he began thinking about the boyfriends of the groupies he met on the road.
“You go into a town; you’re only going to be there for one night; you want some company; you find a girl; you blow her mind,” Butler told Rolling Stone in 1969. “Now you know that girl hasn’t been sitting in town waiting for you to come in. She probably has another fellow and the other fellow’s probably in love with her; they’re probably planning to go through the whole thing, right? But you never take that into consideration on that particular night.”
The son Mississippi sharecroppers, Butler and his family moved moved north to Chicago when he was 3, part of the era’s “Great Migration” of Black people out of the South. He loved all kinds of music as a child and was a good enough singer that a friend suggested he come to a local place of worship, the Traveling Souls Spiritualist Church, presided over by the Rev. A.B. Mayfield. Her grandson, Curtis Mayfield, soon became a longtime collaborator. (Mayfield died in 1999.)
In 1958, Mayfield and Butler along with Sam Gooden and brothers Arthur and Richard Brooks recorded “For Your Precious Love” for Vee-Jay Records. The group called itself the Impressions, but Vee-Jay, anxious to promote an individual star, advertised the song as by Jerry Butler and the Impressions, leading to estrangement between Butler and the other performers and to an unexpected solo career.
“Fame didn’t change me as much as it changed the people around me,” Butler wrote in his memoir “Only the Strong Survive,” published in 2000.
One of his early solo performances was a 1961 cover of “Moon River,” the theme to “Breakfast at Tiffany’s.” Butler was the first performer to hit the charts with what became a pop standard, but “Moon River” would be associated with Andy Williams after the singer was chosen to perform it at the Academy Awards, a snub Butler long resented. His other solo hits, some recorded with Mayfield, included “He Will Break Your Heart”, “Find Another Girl” and “I’m A-Telling You.”
By 1967, his formal style seemed out of fashion, but Butler was impressed by the new music coming out of Philadelphia and received permission from his record label (Mercury) to work with Gamble and Huff. The chemistry, Butler recalled, was so “fierce” they wrote hits such as “Only the Strong Survive” in less than an hour.
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“Things just seem to fall into place,” Butler told Ebony magazine in 1969. “We lock ourselves in a room, create stories about lovers, compose the music, then write the lyrics to match the music.”
By the 1980s, Butler’s career had faded and he was becoming increasingly interested in politics. Encouraged by the 1983 election of Harold Washington, Chicago’s first Black mayor, he ran successfully for the Cook County Board in 1985 and was re-elected repeatedly, even after supporting a controversial sales tax increase in 2009. He retired from the board in 2018.
Butler was married for 60 years to Annette Smith, who died in 2019, and with her had twin sons. Many of his generational peers had struggled financially and he worked to help them, while also supporting various family members. He chaired the Rhythm & Blues Foundation, which offers a wide range of assistance to musicians, and pushed the industry to provide medical and retirement benefits. Butler considered himself lucky, even if he did pass on the chance to own a part of Gamble and Huff’s Philadelphia International recording company.
“You know, I have lived well. My wife probably would say I could’ve lived better,” Butler told the Chicago Reader in 2011. “Did I make 40, 50 million dollars? No. Did I keep one or two? Yes. The old guys on the street used to say, ‘It’s not how much you make. It’s how much you keep.’”
NEW YORK (AP) — Tony Roberts, a versatile, Tony Award-nominated theater performer at home in both plays and musicals and who appeared in several Woody Allen movies — often as Allen’s best friend — has died. He was 85.
Roberts’ death was announced to The New York Times by his daughter, Nicole Burley.
Roberts had a genial stage personality perfect for musical comedy and he originated roles in such diverse Broadway musicals as “How Now, Dow Jones” (1967); “Sugar” (1972), an adaptation of the movie “Some Like It Hot,” and “Victor/Victoria” (1995), in which he co-starred with Julie Andrews when she returned to Broadway in the stage version of her popular film. He also was in the campy, roller-disco “Xanadu” in 2007 and “The Royal Family” in 2009.
“I’ve never been particularly lucky at card games. I’ve never hit a jackpot. But I have been extremely lucky in life,” he write in his memoir, “Do You Know Me?” “Unlike many of my pals, who didn’t know what they wanted to become when they grew up, I knew I wanted to be an actor before I got to high school.”
Roberts also appeared on Broadway in the 1966 Woody Allen comedy “Don’t Drink the Water,” repeating his role in the film version, and in Allen’s “Play It Again, Sam” (1969), for which he also made the movie.
Other Allen films in which Roberts appeared were “Annie Hall” (1977), “Stardust Memories” (1980), “A Midsummer Night’s Sex Comedy” (1982), “Hannah and Her Sisters” (1986) and “Radio Days” (1987).
“Roberts’ confident onscreen presence — not to mention his tall frame, broad shoulders and brown curly mane — was the perfect foil for Allen’s various neurotic characters, making them more funny and enjoyable to watch,” The Jewish Daily Forward wrote in 2016.
In Eric Lax’s book “Woody Allen: A Biography,” Roberts recalled a complicated scene in “A Midsummer Night’s Sex Comedy” that Allen shot over and over — even after the film had been edited — to get his intended effect.
“When you go back to see (Allen’s work) two, three, four times, you begin to see the amazing amount of art in it, that nothing is accidental,” Roberts said.
Among his other movies were “Serpico” (1973) and “The Taking of Pelham One Two Three” (1974).
He was nominated twice for a Tony Award — for “How Now, Dow Jones” and “Play It Again, Sam,” when he was billed as Anthony Roberts.
One of Roberts’ biggest Broadway successes was Charles Busch’s hit comedy “The Tale of the Allergist’s Wife” (2000), in which he played the title character’s husband.
Roberts, who made his Broadway debut in 1962 in the short-lived “Something About a Soldier,” also was a replacement in some of its longest-running hits including “Barefoot in the Park,” “Promises, “Promises,” “They’re Playing Our Song,” “Jerome Robbins’ Broadway,” “The Sisters Rosensweig” and the 1998 Roundabout Theatre Company revival of “Cabaret.”
“I was lucky enough to get in on the last years of the Golden Age of Broadway. In that era there was a lot more going on that seemed to have high quality about it and great conviction,” he told Broadway World in 2015.
In London, he starred with Betty Buckley in the West End production of “Promises, Promises,” playing the Jack Lemmon role in this stage version of “The Apartment.”
Roberts’ television credits include the short-lived series “The Four Seasons” (1984) and “The Lucie Arnaz Show” (1985) as well as guest spots on such well-known shows as “Murder, She Wrote” and “Law & Order.”
Roberts was born in New York on Oct. 22, 1939, the son of radio and television announced Ken Roberts.
“I was raised in the middle of a lot of actor talk,” he told the AP in 1985. “My cousin was Everett Sloane, who was a very fine actor. My father’s friends were mostly actors. I’m sure that in some way I needed to prove myself in their eyes.”
He attended the High School of Music and Art in New York and graduated from Northwestern University in Illinois.
His marriage to Jennifer Lyons ended in divorce. He is survived by his daughter, the actor Nicole Burley.
He first met Allen backstage when he was starring in “Barefoot in the Park,” having replaced Robert Redford. Roberts had unsuccessfully auditioned four times for Allen’s first Broadway play, “Don’t Drink the Water.” Seeing Roberts perform in “Barefoot in the Park” convinced Allen that Roberts was worth casting. According to his memoir, Allen told him, “You were great. How come you’re such a lousy auditioner?”
NEW YORK (AP) — Anita Bryant, a former Miss Oklahoma, Grammy-nominated singer and prominent booster of orange juice and other products who became known over the second half of her life for her outspoken opposition to gay rights, has died. She was 84.
Bryant died Dec. 16 at her home in Edmond, Oklahoma, according to a statement posted by her family to news site The Oklahoman on Thursday. The family did not list a cause of death.
Bryant was a Barnsdall native who began singing at an early age, and was just 12 when she hosted her own local television show. She was named Miss Oklahoma in 1958 and soon began a successful recording career. Her hit singles included “Till There Was You,” “Paper Roses” and “My Little Corner of the World.” A lifelong Christian, she received two Grammy nominations for best sacred performance and one for best spiritual performance, for the album “Anita Bryant … Naturally.”
By the late 1960s, she was among the entertainers joining Bob Hope on his USO tours for troops overseas, had sung at the White House and performed at the national conventions for both the Democrats and Republicans in 1968. She also became a highly visible commercial spokesperson, her ads for Florida orange juice featuring the tag line, “A day without orange juice is like a day without sunshine.”
But in the late 1970s, her life and career began a dramatically new path. Unhappy with the cultural changes of the time, Bryant led a successful campaign to repeal an ordinance in Florida’s Miami-Dade County that would have prohibited discrimination based on sexual orientation. Supported by the Rev. Jerry Falwell among others, Bryant and her “Save Our Children” coalition continued to oppose gay rights around the country, denouncing the “deviant lifestyle” of the gay community and calling gays “human garbage.”
Bryant became the object of much criticism in return. Activists organized boycotts against products she endorsed, designed T-shirts mocking her and named a drink for her — a variation of the screwdriver that replaced orange juice with apple juice. During an appearance in Iowa, an activist jammed a pie in her face. Her career in entertainment declined, her marriage to her first husband, Bob Green, broke up, and she later filed for bankruptcy.
In Florida, her legacy was challenged and perpetuated. The ban against sexual discrimination was restored in 1998. Tom Lander, an LGBTQ+ activist and board member of the advocacy group Safe Schools South Florida, told The Associated Press on Friday, “She won the campaign, but she lost the battle in time.” But Lander also acknowledged the “parental rights” movement, which has spurred a recent wave book bannings and anti-LGBTQ+ laws in Florida led by such conservative organizations as Moms for Liberty.
“It’s so connected to what’s happening today,” Lander said.
Bryant spent the latter part of her life in Oklahoma, where she led Anita Bryant Ministries International. Her second husband, NASA test astronaut Charles Hobson Dry, died last year. According to her family’s statement, she is survived by four children, two stepdaughters and seven grandchildren.
NEW HOPE, Pa. (AP) — Dayle Haddon, an actor, activist and trailblazing former “Sports Illustrated” model who pushed back against age discrimination by reentering the industry as a widow, has died in a Pennsylvania home from what authorities believe was carbon monoxide poisoning.
Authorities in Bucks County found Haddon, 76, dead in a second-floor bedroom Friday morning after emergency dispatchers were notified about a person unconscious at the Solebury Township home. A 76-year-old man police later identified as Walter J. Blucas of Erie was hospitalized in critical condition.
Responders detected a high level of carbon monoxide in the property and township police said Saturday that investigators determined that “a faulty flue and exhaust pipe on a gas heating system caused the carbon monoxide leak.” Two medics were taken to a hospital for carbon monoxide exposure and a police officer was treated at the scene.
As a model, Haddon appeared on the covers of Vogue, Cosmopolitan, Elle and Esquire in the 1970s and 1980s, as well as the 1973 Sports Illustrated swimsuit issue. She also appeared in about two dozen films from the 1970s to 1990s, according to IMDb.com, including 1994’s “Bullets Over Broadway,” starring John Cusack.
Haddon left modeling after giving birth to her daughter, Ryan, in the mid-1970s, but then had to reenter the workforce after her husband’s 1991 death. This time she found the modeling industry far less friendly: “They said to me, ‘At 38, you’re not viable,’” Haddon told The New York Times in 2003.
Working a menial job at an advertising agency, Haddon began reaching out to cosmetic companies, telling them there was a growing market to sell beauty products to aging baby boomers. She eventually landed a contract with Clairol, followed by Estée Lauder and then L’Oreal, for which she promoted the company’s anti-aging products for more than a decade. She also hosted beauty segments for CBS’s “The Early Show.”
“I kept modeling, but in a different way,” she told The Times, “I became a spokesperson for my age.”
In 2008, Haddon founded WomenOne, an organization aimed at advancing educational opportunities for girls and women in marginalized communities, including Rwanda, Haiti and Jordan.’
Haddon was born in Toronto and began modeling as a teenager to pay for ballet classes — she began her career with the Canadian ballet company Les Grands Ballet Canadiens, according to her website.
Haddon’s daughter, Ryan, said in a social media post that her mother was “everyone’s greatest champion. An inspiration to many.”
“A pure heart. A rich inner life. Touching so many lives. A life well lived. Rest in Light, Mom,” she said.
LONDON (AP) — Olivia Hussey, the actor who starred as a teenage Juliet in the 1968 film “Romeo and Juliet,” has died, her family said on social media Saturday. She was 73.
Hussey died on Friday, “peacefully at home surrounded by her loved ones,” a statement posted to her Instagram account said.
Hussey was 15 when director Franco Zeffirelli cast her in his adaptation of the William Shakespeare tragedy after spotting her onstage in the play “The Prime of Miss Jean Brodie,” which also starred Vanessa Redgrave.
“Romeo and Juliet” won two Oscars and Hussey won a Golden Globe for best new actress for her part as Juliet, opposite British actor Leonard Whiting, who was 16 at the time.
Decades later Hussey and Whiting brought a lawsuit against Paramount Pictures alleging sexual abuse, sexual harassment and fraud over nude scenes in the film.
They alleged that they were initially told they would wear flesh-colored undergarments in a bedroom scene, but on the day of the shoot Zeffirelli told the pair they would wear only body makeup and that the camera would be positioned in a way that would not show nudity. They alleged they were filmed in the nude without their knowledge.
The case was dismissed by a Los Angeles County judge in 2023, who found their depiction could not be considered child pornography and the pair filed their claim too late.
Hussey was born on April 17, 1951, in Bueno Aires, Argentina, and moved to London as a child.
She also starred as Mary, mother of Jesus, in the 1977 television series “Jesus of Nazareth,” and in the 1978 adaptation of Agatha Christie’s “Death on the Nile.”
She is survived by her husband, David Glen Eisley, her three children and a grandson.
LOS ANGELES (AP) — Richard Perry, a hitmaking record producer with a flair for both standards and contemporary sounds whose many successes included Carly Simon’s “You’re So Vain,” Rod Stewart’s “The Great American Songbook” series and a Ringo Starr album featuring all four Beatles, died Tuesday. He was 82.
Perry, a recipient of a Grammys Trustee Award in 2015, died at a Los Angeles hospital after suffering cardiac arrest, friend Daphna Kastner said.
“He maximized his time here,” said Kastner, who called him a “father friend” and said he was godfather to her son. “He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it’s a little bit sweeter in heaven.”
Perry was a onetime drummer, oboist and doo-wop singer who proved at home with a wide variety of musical styles, the rare producer to have No. 1 hits on the pop, R&B, dance and country charts. He was on hand for Harry Nilsson’s “Without You” and The Pointer Sisters’ “I’m So Excited,” Tiny Tim’s novelty smash “Tiptoe Through the Tulips” and the Willie Nelson-Julio Iglesias lounge standard “To All the Girls I’ve Loved Before.” Perry was widely known as a “musician’s producer,” treating artists like peers rather than vehicles for his own tastes. Singers turned to him whether trying to update their sound (Barbra Streisand), set back the clock (Stewart), revive their career (Fats Domino) or fulfill early promise (Leo Sayer).
“Richard had a knack for matching the right song to the right artist,” Streisand wrote in her 2023 memoir, “My Name is Barbra.”
Perry’s life was a story, in part, of famous friends and the right places. He was backstage for 1950s performances by Little Richard and Chuck Berry, sat in the third row at the 1967 Monterey Pop Festival during Otis Redding’s memorable set and attended a recording session for the Rolling Stones’ classic “Let It Bleed” album. A given week might find him dining one night with Paul and Linda McCartney, and Mick and Bianca Jagger the next. He dated Elizabeth Taylor and Jane Fonda among others and was briefly married to the actor Rebecca Broussard.
In Stewart’s autobiography, “Rod,” he would remember Perry’s home in West Hollywood as “the scene of much late-night skulduggery through the 1970s and beyond, and a place you knew you could always fall into at the end of an evening for a full-blown knees-up with drink and music and dancing.”
In the ‘70s, Perry helped facilitate a near-Beatles reunion.
He had produced a track on Starr’s first solo album, “Sentimental Journey,” and grown closer to him through Nilsson and other mutual friends. “Ringo,” released in 1973, would prove the drummer was a commercial force in his own right — with some well-placed names stopping by. The album, featuring contributions from Nilsson, Billy Preston, Steve Cropper, Martha Reeves and all five members of The Band, reached No. 2 on Billboard and sold more than 1 million copies. Hit singles included the chart toppers “Photograph,” co-written by Starr and George Harrison, and a remake of the 1950s favorite “You’re Sixteen.”
But for Perry and others, the most memorable track was a non-hit, custom made. John Lennon’s “I’m the Greatest” was a mock-anthem for the self-effacing drummer that brought three Beatles into the studio just three years after the band’s breakup. Starr was on drums and sang lead, Lennon was on keyboards and backing vocals and longtime Beatles friend Klaus Voormann played bass. They were still working on the song when Harrison’s assistant phoned, asking if the guitarist could join them. Harrison arrived soon after.
“As I looked around the room, I realized that I was at the very epicenter of the spiritual and musical quest I had dreamed of for so many years,” Perry wrote in his 2021 memoir, “Cloud Nine.” “By the end of each session, a small group of friends had gathered, standing silently along the back wall, just thrilled to be there.”
McCartney was not in town for “I’m the Greatest,” but he did help write and arrange the ballad “Six O’Clock,” featuring the ex-Beatle and Linda McCartney on backing vocals.
Perry had helped make pop history the year before as producer of “You’re So Vain,” which he would call the nearest he came to a perfect record. Simon’s scathing ballad about an unnamed lover, with Voormann’s bass runs kicking off the song and Jagger joining on the chorus, hit No. 1 in 1972 and began a long-term debate over Simon’s intended target. Perry’s answer would echo Simon’s own belated response.
“I’ll take this opportunity to give my insider’s scoop,” he wrote in his memoir. “The person that the song is based on is really a composite of several men that Carly dated in the ’60s and early ’70s, but primarily, it’s about my good friend, Warren Beatty.”
Perry’s post-1970s work included such hit singles as The Pointer Sisters’ “Neutron Dance” and DeBarge’s “Rhythm of the Night,” along with albums by Simon, Ray Charles and Art Garfunkel. He had his greatest success with Stewart’s million-selling “The Great American Songbook” albums, a project made possible by the rock star’s writer’s block and troubled private life. In the early 2000s, Stewart’s marriage to Rachel Hunter had ended and Perry was among those consoling him. With Stewart struggling to come up with original songs, he and Perry agreed that an album of standards might work, including “The Very Thought of You,” “Angel Eyes” and “Where or When.”
“We were at a back table in our favorite restaurant as we exchanged ideas and wrote them down on a napkin,” Perry wrote in his memoir. Stewart softly sang the options. “As I sat there and listened to him sing, it was clear that we both sensed we were on to something,” Perry added.
Perry was a New York City native born into a musical family; his parents, Mark and Sylvia Perry, co-founded Peripole Music, a pioneering manufacturer of instruments for young people. With his family’s help and encouragement, he learned to play drums and oboe and helped form a doo-wop group, the Escorts, that released a handful of singles. A music and theater major at the University of Michigan, he initially dreamed of acting on Broadway. Instead, he made the “life-changing” decision in the mid-1960s to form a production company with a recent acquaintance, Gary Katz, who would go on to work with Steely Dan among others.
By the end of the decade, Perry was an industry star, working on Captain Beefheart’s acclaimed cult album, “Safe As Milk” and the debut recording of Tiny Tim and Ella Fitzgerald’s “Ella,” featuring the jazz great’s interpretations of songs by the Beatles, Smokey Robinson and Randy Newman. In the early 1970s, he would oversee Streisand’s million-selling “Stoney End” album, on which the singer turned from the show tunes that made her famous and covered a range of pop and rock music, from the title track, a Laura Nyro composition, to Gordon Lightfoot’s “If You Could Read My Mind.”
“I liked Richard from the moment we met. He was tall and lanky, with a mop of dark, curly hair and a big smile, which his big heart,” Streisand wrote in her memoir. “At our first meeting, he arrived laden with songs, and we listened to them together. Whatever hesitation I may have felt about our collaboration soon vanished and I thought, ‘This could be fun, and musically liberating.’”